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Member LoginIssue 21 - March 2004
In issue 21
Features
How was that done?
Quite a few times I’ve been asked “how was that done?” referring to a commercial where a Ford 250 ute pulls a semi and pantechs out of a bog. So if you’re interested, here’s how it was done. Ernie Clark ACS explains
Glittering prizes
- British Academy Of Film And Television Arts
- Sony Tropfest
- Academy Of Motion Picture Arts And Sciences Aka The Oscars.
Don McAlpine ACS ASC – Decent Exposure
Compiling CML
A career Less Ordinary - Peter James ACS ASC
Peter James’ ACS ASC long and distinguished career includes films such as Caddie, The Irishman, Black Robe, Paradise Road, Driving Miss Daisy and the recent Man Who Sued God. In the process, Peter has regularly worked with renowned directors Donald Crombie and Bruce Beresford. Simon Gray spoke to Peter while the cinematographer was on recent visit to Brisbane.
The Big Picture - God is in the details
A Personal View
Call for Archive Independence
Cinemascope Revisited
Lighting Masterclass - Peter James ACS ASC, Russell Boyd ACS, Dean Semler ACS ASC at AFTRS
Regulars
New Gear
- Cameraquip Welcomes New Optex Excellence Periscope/Probe System Into Fleet
- Digital Pictures Creates Australia’s First Three Digital Intermediate Feature Films
- High Definition Camera Rentals At The Production Kit Company
- Rexel Releases New Dvx100a Advanced
Short Ends
Classic Cameras - DeVry 35mm Model A Camera
Book Review
FIGHTING FILMS by Lisa Milner - A History of the Waterside Workers Federation Film Unit.
Flashback – John Lanser
In Memoriam – Volk Mol ACS